Work Summary
‘Solitude’ combines the sculpture and the photographic practice to explore and reflect on ideas of withdrawal. Through the use of form and material, the work reflects the internal state of isolation, contemplation, and stillness.
The sculpture’s minimalist design, with abstract human forms and organic structures, encourages quiet reflection. Having experimented with materials such as clay, plaster, and wire, I created images in an urban space that feel grounded and organic in their emergence, echoing the delicate nature of solitude. It is presented with careful attention to spatial arrangement: a clear, simple frame with no people in view, and the sculpture leaning against the wall in a slouched position to express the impact these emotions could have, encouraging physical and emotional engagement with the same sense of being alone but not necessarily lonely. I chose a place where, though surrounded by many homes and people, it is easy to feel alone.
Context
The materials’ duality works as a metaphor to further exhibit my concept. Built delicately and see-through, the sculpture portrays ideas of fragility, while its true purpose in real-world contexts lies in strength and resilience.
The project comes from a broader interest in how solitude shapes perception and creativity. In an increasingly overstimulated world and post-pandemic era, solitude is often overlooked or misunderstood, with our minds in constant states of heightened awareness and isolation. Solitude is that safe space we need.
‘Solitude’ combines the sculpture and the photographic practice to explore and reflect on ideas of withdrawal. Through the use of form and material, the work reflects the internal state of isolation, contemplation, and stillness.
The sculpture’s minimalist design, with abstract human forms and organic structures, encourages quiet reflection. Having experimented with materials such as clay, plaster, and wire, I created images in an urban space that feel grounded and organic in their emergence, echoing the delicate nature of solitude. It is presented with careful attention to spatial arrangement: a clear, simple frame with no people in view, and the sculpture leaning against the wall in a slouched position to express the impact these emotions could have, encouraging physical and emotional engagement with the same sense of being alone but not necessarily lonely. I chose a place where, though surrounded by many homes and people, it is easy to feel alone.
Context
The materials’ duality works as a metaphor to further exhibit my concept. Built delicately and see-through, the sculpture portrays ideas of fragility, while its true purpose in real-world contexts lies in strength and resilience.
The project comes from a broader interest in how solitude shapes perception and creativity. In an increasingly overstimulated world and post-pandemic era, solitude is often overlooked or misunderstood, with our minds in constant states of heightened awareness and isolation. Solitude is that safe space we need.
Research and process
My research combines theoretical enquiry with material experimentation. Texts by Gaston Bachelard (The Poetics of Space) and Sara Maitland (How to Be Alone) shapes my understanding of solitude as a spatial and emotional condition. Studio experimentation was central to the process. I explored surface texture, weight, and balance to create tension between presence and absence. Sketching, maquettes, and iterative building were integral, with frequent reflection allowing the work to evolve. I also documented silent walks and solidarity moments, translating these experiences into sculptural form. The work aims to materialise solitude not as a void, but as a quiet, fertile terrain for self-connection.
My research combines theoretical enquiry with material experimentation. Texts by Gaston Bachelard (The Poetics of Space) and Sara Maitland (How to Be Alone) shapes my understanding of solitude as a spatial and emotional condition. Studio experimentation was central to the process. I explored surface texture, weight, and balance to create tension between presence and absence. Sketching, maquettes, and iterative building were integral, with frequent reflection allowing the work to evolve. I also documented silent walks and solidarity moments, translating these experiences into sculptural form. The work aims to materialise solitude not as a void, but as a quiet, fertile terrain for self-connection.